IMP Homework Episode 2: The Analog to Digital Conversion Process
Summary
This is episode two of my series on music production for my Coursera class Introduction to Music Production.
To the reviewer
The content of last week's assignment was easy, as I know my audio equipment fairly well.
I thought this week's assignment was also going to be fairly straightforward, since I understand the basics of analog to digital and digital to analog converters. As I started to research this subject, I realized how wrong I was. I gradually be came overwhelmed by the subject, as I did not have the time this week to adequately research the subject and present a thorough summary of this surprisingly deep topic.
In lieu of the summary I'd like to present, I present you with this brief summary and a good list of references for further exploration.
Soundtrack for preparation of this assignment
All new music this week. Sound track for this assignment:
Reset - EP by Flying Lotus
Chaos Theory by Amon Tobin
Chaos Theory Remixed (The Soundtrack to Splinter Cell 3D by Amon Tobin
The Bible (The Official Score Soundtrack) by Lorne Balfe & Hans Zimmer
The Remixes by Pongá
Key terms
ADC: Analog to digital converter
analog to digital converter: converts analog audio signal to digital
sample rate: In an ADC, the frequency the analog signal is sampled
bit depth: In an ADC, the number of bits used to describe the amplitude of a sample
analog audio signal: sound represented as voltage in an electrical signal
digital audio signal: audio signal represented as binary data stream - a stream of 1s and 0s
References
Farnell, Andy. Designing Sound, MIT Press, 2010. See Chapter 7: Digital Signals.
Analog Devices. Data Conversion Handbook, Elsevier, 2005. The whole book is relevant, but the first chapter on data converter history is interesting, as is section 8.4 on digital audio.
Analog-to-digital converter, Wikipedia.
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